娛樂空間 Clubbing with Atmosphere - 林馬克 Mark Lintott

台灣的夜生活與其他國家有著明顯的差異，特別是像夜店、汽車旅館或KTV這樣的娛樂空間，它們跟時尚文化幾乎已經畫上等號。華麗炫目的空間設計、獨特的音樂節奏，加上意想不到的燈光驚喜，不但與國際潮流零時差，同時也呈現出在地文化混血、更勝一籌的態勢。在頂尖設計師的巧妙戲法中，娛樂空間不再汙名化，反而成為台灣大眾生活中最具時尚代表的生活場所。

There are notable differences between nightlife in Taiwan and other countries, especially in entertainment space as night clubs, motels or KTVs. The glamour interior design, unique music rhythm and unexpected dramatic lighting even represent fashion culture in Taiwan which is international as well as intertwined with local hybrid culture. As these entertainment spaces become the designers’ artistic works, they turn to be the most fashionable living locales for the public.

林馬克 Mark Lintott

Principal Designer /林馬克設計工作室 Mark Lintott Design

英籍設計師林馬克先生為MLD設計公司創辦人兼主設計師。

林馬克先生以大膽而富有創造力的設計風格聞名，先後在亞洲各地締造出成功且大受歡迎的商業空間案例，例如：小西華飯店—台北；HOTEL G—北京：於台北著名的娛樂空間個案則有：PLUSH、MINT，及鴉片館，餐廳設計更有滬江宴、Diamond Tony’s Grill（台北101）等成功的經驗。

除了商業空間類型的案例外，MLD的作品實績更包含了許多造價高昂的私人住宅以及依業主量身打造的特色住宅。此外，亦有許多與台灣當地建設公司、代銷公司合作的住宅銷售案例。

林馬克先生魚1981年於倫敦開始了他的設計事業，先後於Powell-Tuck Connor 及Orefelt設計公司任職，隨後於台灣成立—林馬克設計工作室，作品涵蓋各類型；設計遍及台灣各地，近年更將觸角延伸至亞洲各地。

他的作品遍及世界各地，廣泛地被各國媒體報導並發表於New York Times、VOGUE、ELLE、Interiors、Mondo、Abitare及Wallpaper等著名雜誌。

林馬克先生經常受邀於台灣各大學相關系所開課指導，更經常於台灣及亞洲各地受邀演講。

林馬克設計工作室位於台北市區，設計工作團隊具有活力且經驗豐富，從設計工作的發想階段開始，能確實執行、解決設計問題直至作品完成。

British architect/designer Mark Lintott is the founder and principal designer for Mark Lintott Design (MLD)

Mr. Mark Lintott is renowned for the daring and imaginative interior design of many successful entertainment and commercial venues in Asia, such as t he Sherwood Hotel in Taipei, Hotel G in Beijing, c lubs like Plush, Mint, Opium Den in Taipei as well as restaurants such as Hu Jiang Yen in Taipei, Diamond Tony’s Grill in Taipei 101 and many more. In tandem with this work is a large portfolio of exclusive and unique residences for both private clients and established property development and real estate firms in Taiwan.

He began his career in 1981 in London for the practice of Powell-Tuck Connor and Orefelt. Ten years later, he established Mark Lintott Design in Taiwan, working for a wide range of clients in Taiwan and throughout Asia.

His highly acclaimed international projects have been extensively published in books and journals including the New York Times, VOGUE, ELLE, Interiors, Mondo, Abitare, and Wallpaper.

Mr. Lintott has also held visiting lecturer positions at universities in Taiwan and a frequent guest speaker in Taiwan and around Asia.

MLD is located in downtown Taipei with a core group of talented designers and supporting staff experienced in all aspects of design from conception to production and administration.


代表作品 Representative Work:WEGO Hotel Taipei Taiwan

薇閣精品旅館位於台北市郊兼備娛樂、旅館及美食餐廳性質的新興發展區。在台灣，這類源自於日本的休憩型旅館相當熱門，對於此類兼備娛樂性的旅館而言，房況的維持、客房服務及保全等特殊需求顯得格外重要。

各個房間提供不同用途及風格等需求，兼具如SPA水療、船屋及玻璃屋等房型或者閃耀奪目的浪漫風格。

林馬克設計工作室剔除汽車旅館一貫給予人的刻版印象，領導進入主流市場，並藉此為業者開拓更為寬廣的客源。

透過連結各樓層的汽車斜坡道為旅館主要入口，位於一樓大廳也因此更能保有顧客隱私，並經由電梯通往各房間。薇閣精品旅館總房數約150間，每房坪數大小為十坪至一百二十坪不等。

WEGO Hotel is located in one of the newly develped areas of suburbs of Taipei. The area is zoned for entertainment, hotel and restaurant usages.

The boutique hotel is a drive-in short-stay motel which is very popular in Taiwan with its origins from Japan. This type of motels is considered as “entertainment” hotels and requires a highly specific approach to maintenance, housekeeping and security.

Each room caters for different purposed and tastes from a “spa” type to a “boat house” to a “glasshouse”. Glamour and bling-bling are important factors as well as “romantic” element.

MLD regarded this as an opportunity to relinquish old stereotype of such motels and bring in wider base of customers.

The main entrance is via a car ramp which accesses to all floors. Other guests enter via the main lobby on the first floor which is discrete and private as well. They access the rooms via a room sized elevator from the first floor.

The boutique hotel contains approx 150 rooms ranging from 30m2 to 400m2.


個人作品:
ALu House Taina
C3
Hotel G
Hu Jian Yen Restaurant
Nike Exhibition

角色公仔 engaging with figures - 張嘉倫 Mark Chang

透過潮流色彩的渲染，公仔的流行重新定義了玩具的價值，並扭轉了消費者對公仔產品的認知態度。台灣設計師藉由公仔做為創意傳播的新媒介，不但把藝術家不同領域的創意和才華同時展現給消費者；彙同台灣的文化延伸，也建構出與眾不同的傳播網絡。一隻隻經由角色設定過的公仔，是設計師表現創意的方式，同時也是一種對雕刻藝術的徹底顛覆。

Influenced by street fashion, the popularity of designer toys not only re-defends the value of toys, but also converts consumers’ perspective toward designer toys. Taiwan designers regard designer toy as a creative mass medium to present artists’ creativity and talents from different disciplinary as well as to build up a particular communication network. Each designer toy is an approach for designers to show their creativity, as well as a way for viewers to subvert traditional concept toward sculpture art.

張嘉倫 Mark Chang
Director / Phalanx Studio

Phalanx Creative「基礎創意」，由Mark Chang(張嘉倫)於2004年成立的設計工作室，一個企圖以潮流文化為概念基礎的設計團隊，以角色藝術出發，並涉足多元的商業設計作品及藝術玩具等創作。

Mark畢業於國立交通大學建築研究所後，轉往多媒體設計領域發展，於2002年開始發展概念性角色產品的獨立創作，包含了平面設計，立體造型，包裝設計，網路等等。

持續地觀注原創理念與城市文化的議題，Phalanx Creative 結合全球各地設計師與藝術家的才華，策劃或參與各式展覽活動，並藉此提出具實驗性及前瞻性的創意提案，給予不同領域客戶，並創造具獨特性的異業結合的案例。

2008 年開始 Phalanx Creative 重新以 Phalanx Studio 的名義發表原創角色，平面插畫等作品，並參與潮流藝術設計、產品設計與行銷等專案。

Phalanx Creative, officially established in 2004, is a design team focusing on POP culture founded and driven by Mark Chang. Their works start from figure art to various business design works and designer toys.

Graduated from Institute of Architecture, National Chiao Tung University, Taiwan, Mark Chang devoted himself to multimedia design. In 2002, he started to develop his indie creation label on concept figure, as well as graphic design, 3d modeling, package design and website design.

Consistently caring for the issue of original concepts and city culture, Phalanx Creative combines the talent of global designer and artists and curates and attends diverse exhibitions. Moreover, Phalanx Creative creates various crossover projects to provide experimental and prospective proposals. In 2008, Phalanx Creative republished original figure, illustration, street style fashion design, product design and marketing under the name of Phalanx Studio.

代表作品: Mr. Power

Mr Power. 一個嶄新的設計師平臺玩具，捨棄了以往常見中性的動物造型，採用充滿力量的線條作為造型表現的基礎，Phalanx 希望把人類追求美感與卓越的期望化身在這個玩具平臺之上，借著設計與創意延展出每個人心目中的英雄，同時把這些有趣的想法，利用www.mymrpower.com的網路平臺分享給彼此。

Mr. Power 的另一個特點是直接採用8英吋的高度推出，而不採用盒抽的方式，希望將平臺玩具的樂趣推回創作與收藏的原點，以DIY的運用為前提而設定的最佳尺寸。

Mr. Power系列的包裝與視覺設計，採用了80年代英雄玩具全盛時期的諸多設定改良而來，吊卡的包裝設計更讓玩家有機會從頭至尾創造一個屬於自己的figure玩具，引領玩家回到過去那對玩具充滿想像與盼望的年代。

Mr. Power is a brand-new platform for designer toys. Being different from usual animal modeling, Mr. Power uses powerful contour as design foundation to represent an image of hero that everybody anticipates and imagines. Moreover, Phalanx design studio is looking forward to sharing these brilliant ideas and creative inspirations on the site: www.mymrpower.com and the online shop.
Another feature of Mr. Power is that designers trace back tp the starting point of the pleasure of creation and collection by launching 8 inch height designer toys instead of the ordinary capsule ones.
The package and visual design of Mr. Power series add retrospective elements which reform from the heyday of super hero toys in the 1980’s. The collectors are able to create a unique figure toys which takes them back to childhood.

個人作品:
扁若秋Bianocchio
Meterro
Moody
Sonabuki
iron devil

時裝時尚 dressing with attitudes - 竇騰璜張李玉菁 STEPHANEDOU CHANGLEEYUGIN

台灣時尚產業的結構特殊，讓時裝設計師必須擁有更多的獨立精神與國際環境做衝撞。但即便如此，他們仍憑藉著自身的天分與美感、在國際伸展台上展現不凡的有型身影。而他們取材各種時尚元素與流行觀察、轉化而成的時裝與精品，也成為品味生活中更彌足珍貴的時尚觀點。

Under the unique structure of fashion industry in Taiwan, fashion designers have to possess bold individual spirit to take on international challenges. Even though, they’ve truly presented outstanding works on the runway from pure capability and sense. The delicate garments and fine work they created have then become a precious point of view to relish mundane life.

竇騰璜張李玉菁 STEPHANEDOU CHANGLEEYUGIN
創意總監 Creative Director/STEPHANE DOU/CHANGLEE YUGIN

台灣著名設計雙人組 竇騰璜 張李玉菁,憑著獨特的時尚美學與對於流行服飾的敏感天份, 在學期間即獲得中華民國時裝設計新人獎首獎的肯定，並多次受邀參加海外的服裝展覽與比賽，獲得國際間的好評與肯定, 秉持著創新與顛覆的精神,於1995年共同創立了同名品牌STEPHANE DOU/CHANGLEE YUGIN，風格簡潔並充滿色彩張力, 營造出一個令人無法忽視的時裝新視界, 低調細緻的設計擄獲了時尚人仕的青睞, 在時尚界有著舉足輕重的地位！

Taiwan's famous design duo STEPHANE DOU and CHANGLEE YUGIN, are known for their edgy and unique design. At age of 20, both of them won “The Best Young Fashion Designer Award,” afterward they’ve received the accolade from the leading media and been invited to overseas exhibitions and competition.

Stephane Dou International Co., Ltd was established in 1995 and STEPHANE DOU and CHANGLEE YUGIN debut collection was officlally launch in 1997. The low-key, creative and wearable style are favorite among press, stylists, and celebritiesto hold a leading position in the fashion industry.


代表作品: 碎裂 Debris

“雙設計,雙風格” 的獨特組合，在不受拘束的設計概念與形式下，使作品產生相乘的多樣面貌。
藉由顏色、材質、空間或是自身的旅行及生活體驗，體現於他們創作的過程，並賦予其另一層次的意義。
Due to intermingled influences and unrestrained style of their designs, together the designer duo produces a unique and mix-and-match style.
With inspirations from color, texture, interior space, or their traveling and living experiences to be embodied in their creation one could perceive an in-depth level of idealism from their brilliant collection.


個人作品:
「碎裂 Debris」
「交錯疊放 Interlace」
「張力 Tensility」
「分解/重構
「Decomposition / Reconstruction」
「穿插點綴 Interspersion」

動畫卡通 animating with fun -郭景洲Pongo Kuo+Gamania Creative Center

從全球動畫工廠開始，發展到現今的原創動畫。台灣動畫以短片形式去切入市場，反而讓創作者在題材的發揮變得更加自由。加入東方的元素與概念性的實驗，以世界各地的動畫影展做為發聲地，台灣將動畫創作的可能性藉由另一種獨特的方式，開始站上了國際舞台。

From sketch processing to develop original animation, Taiwan animation has taken the model of short film to approach the market. There is a much higher degree of creative freedom given to animators and producers via this model. Adding oreiental elements as well as conceptual experiment, Taiwanese animation has successfully led its way onto international market via its unique approach.


郭景洲Pongo Kuo
創意總監Creative Director/Gamania Creative Center

1961年生於台灣台北，優游動畫領域多年，曾任職藝動網與大狗工作室創意總監、宏廣卡通公司視覺構成指導及動畫廣告片導演，並參與眾多動畫影片如魔法阿媽、小飛俠、小美人魚、頑皮豹…等之國際製作。其帶領團隊首重團體合作，珍視創意產出過程的喜怒哀樂，視生活體驗為最佳的創意來源。
Pongo Kuo’s profound experience in the animation industry has beenover 20 years. Having been in the position of Creative Director of many leading animation houses in Taiwan, including Anitime, Dago Entertainment and Cuckoo Nest, Kuo’s now held his position in Gamania Creative Center. He has participated in many famous animation production series such as ‘Magic Grandma,’ ‘Little Mermaid,’ ‘Peter Pan,’ ‘Hercules,’ ‘Garfield’ and ‘Winnie the Pooh’ to name just a few.

遊戲橘子創意中心/Gamania Creative Center
遊戲橘子創意中心以開發動畫為主要任務，以熱情、耐力與想像力投入動畫製作環節，從故事概念、角色開發到環境設定，皆是哲思、創意、視覺的具體呈現。

Pongo and his team devote their passion, endurance and imagination to the development of animation in Gamania Creative Center. From the concept development to characters and personality settingup, it’s all about a process of embodiment of philosophy, creativity and visual aesthetics.


代表作品：水火108 Hero108
改編自中國名著水滸傳，一個關於人與動物如何化敵為友的逗趣故事。
Adopted from the Chinese master piece, "The Water Margin,” tells a merry story of how human and animals transform their relationship from hostility to friendship and live together happily ever after.

其他作品：
米各說 Mig Said
香城五鼠 Aroma5
地獄小學 What a Hell
水喔 Three O
椰子罐頭 CoCoCan

故事插畫 drawing with characters - 可樂王 Cola King

拼貼的惡搞歡樂是台灣普普藝術的重要創作元素。藉由這樣以「好玩」為前提下的創作，藝術家在繪本插圖上有了更大的施展空間與創作趣味。誇張的背景加上好笑的元素，這種在粗糙裡有細膩、在嚴肅裡找好玩的惡搞風格，形成了具有台灣味道的新普普藝術。

Mix-and-match “Kuso” amusement is an important element for POP art in Taiwan. Fun is prerequisite for creation, and there is more freedom and joy given to artists. The dramatic background and comical element become the island’s distinctive style of Taiwan POP art.

可樂王 Cola King
藝術家/繪本作家 Artist/ Illustrator

九零年末開啟台灣新一代圖文浪潮，2003年創辦《壹詩歌》獨立詩刊。2004年與陳珊妮、李端嫻組成「拜金小姐」樂團，唱片專輯榮獲金曲獎及多項兩岸華人音樂、設計大獎。

Cola is a well-known illustrator in Taiwan. Upon having published many books, he has also taken part to a number of events such as the “Taipei Cow parade” and the “SuperGeneration@ Taiwan” exhibition at the Museum of Contemporary Art in Taipei. With multi titles, he is also a poet, artist, promoter of the “Poetry periodical” and a member of the musical group “Material girl”.

代表作品:哥哥妹妹百貨公司GO-GO & MEI-MEI Department Store

一個晴朗的星期天午後，我和妹妹穿著最流行的新衣去逛百貨公司。
我們正要出發。

前進吧！童年的歡呼聲！

In a sunny Sunday afternoon, my sister and I are going to department store in chic outfits.

Hooray! Let's hit the road!

個人作品:

波麗士兔A White Rabbit
無敵之鼠super mouse
夢露Monroe
南極仙翁的微笑Canopus`s smile
扶桑花少女The Chinese hibiscus girl

街頭潮流 flirting with streets - 陳彥鳴 Issa

以台灣街頭與國際潮流為創作素材，設計師大量翻玩大眾的所見所聞，讓台灣消費生活變得更加有趣。運用新穎作法與趣味概念，他們以創意帶動起台灣年輕族群裡的特有話題，並試圖讓這樣的風潮不斷往外延燒。台灣的街頭潮流會成為下一波影響華人世界的流行元素？請拭目以待。

Touch down street style in Taiwan, international trend and their observation as creative materials, designers have created more fun for Taiwan consumers. Applying new technique and interesting concept, they arouse topics among youth people to gain its immediate popularity.

陳彥鳴 Issa
Art Director/Pizza Cut Five

平面設計師、VJ。 活躍於台灣音樂、設計、影像與潮流等領域，03-05年擔任五月天樂團世界巡迴演唱視覺設計演出。05年創立Pizza Cut Five街頭服飾，08年重新改造台灣本土飲食鬍鬚張，引起潮流話題。Pizza Cut Five是目前台灣當紅潮流品牌。

As a graphic designer and VJ. Issa’s highly active in the scenes of music, design, motion graphic and fashion. He worked with Taiwanese rock band MAY DAY for international tour concert visual design during 2003-2005, founded street fashion brand - Pizza Cut Five in 2005, and successfully rebranded Taiwanese local restaurant Formosa Chang in 2008. Pizza Cut Five is one of the most popular trendy brands nowadays in Taiwan.

代表作品:A BATHING FORMOSA CHANG

將擁有將近50年歷史的台灣飲食品牌鬍鬚張Logo，披上迷彩的外衣，利用潮流的翻玩技巧，幽默了來自日本的潮流猿人，用次世代的視覺語言，重新打造美食達人鬍鬚張的新面貌。

Use the trendy style to transform the logo of Taiwanrestaurant - Formosa Chang,which has 50-year history, into a camouflage apparel. It makes fun of Japanese trendy ape pattern with the visual language of sub-culture and recreates a whole new look for Formosa Chang.

個人/其他作品:
Pizza Cut Five -Pink Market
狗夫子
chaos taiwan
Yes Yes Y’all