美學教育 Inspiration in Education - 曲家瑞 Kristy Cha Ray Chu

模特兒/鍾德凡(萬華劇團團長)
攝影/曲家瑞(實踐大學時尚與媒體設計研究所所長)

Model/ Chung Te-Fan (Director, Theatre Company of Wanghua)
Photographer/Kristy Cha Ray Chu(Director, Institute of Fashion & Communications Design)

『(小)奇觀(微)超常-系列3』(After Beginning _____Before Solution)
攝影、空間裝置/ 藍元宏（實踐大學時尚與媒體設計研究所數位媒體設計組94級校友）
人物演出/ 張希如（實踐大學時尚與媒體設計研究所時尚服裝設計組94級校友）

東方美學教育在一般人心中就像工廠裡量產的複製娃娃，只能遵守SOP、讓每個人都變得一模一樣？透過台灣美學教育者開放的思想、提供多元的學習環境，每個人都有創造不同火花的可能。著重美學技藝的提升，同時也強調個人獨立的思考，台灣的美學教育已經讓每個人的生活開始變得更加美好。

Taiwan aesthetic educators are calling for open education, providing diverse learning environments and inspiring student to create unlimited possibilities. They emphasize the improvement of aesthetic art and crafts, and also highlight the importance of individual thinking. Via Taiwan aesthetic education, these educators enrich people's spiritual life, enhance the society's cultural tastes, and extend it into everyone's everyday life.



曲家瑞 Kristy Cha Ray Chu

實踐大學時尚與媒體設計研究所助理教授兼所長, 藝術家、策展人、手繪漫畫家、二手玩具收藏家
Director (Assistant Professor) Institute of Fashion and Communications Design, Shih-Chien University, Taiwan,
artist, curator, writer, cartoonist and second-hand toy collector

紐約哥倫比亞大學Columbia University / 藝術研究所碩士MFA

紐約古柏聯盟學院Cooper Union / 藝術系學士BA

紐約曼哈頓音樂學院Manhattan School of Music Pre College /

大學先修班學位主修鋼琴

集大學教授、藝術家、策展人、手繪漫畫家、二手玩具收藏家等多種角色於一身
自1995年起以炭筆為創作媒材，從事巨幅自畫像素描系列創作，作品於台北當代藝術館、國立歷史博物館、高雄市立美術館、北京林大畫廊等地展出。 其驚人二手玩具裝置作品Salvation Army系列，曾於2009韓國『光州設計雙年展』、法國『Maison des Arts de Créteil藝術節』、2006年韓國釜山『韓國釜山雙年展—海洋藝術季』、2006年中國杭州『中國國際動漫節』、上海當代藝術館 『Fiction@Love虛擬的愛』等國際知名藝術節展出。亦擔任多項裝置藝術、設計與雕塑創作策展人與創作者如：2009『台北奔牛節Taipei Cow Parade』、『2008年Converse百年起藝展』、『2006年第四屆台灣國際動畫影展』、『閱讀的享宴—2004台北國際書展主題館』、 2001板橋火車站公共藝術『畢業班2010』等。

出版著作包括《喂！幹麻不做你自己》、《拜託！不要每個人都一樣》（方智出版）。

Kristy Cha Ray Chu plays many roles – college professor, artist, curator, writer, cartoonist and second-hand toy collector. Chu began creating a series of self-portraits using charcoal in 1995, which have been shown and collected at many local and overseas museums and art festivals such as “100 Tales in Animamix” Linda Gallery, Beijing, China(2008), “Fiction @ Love: Ultra New Vision In Contemporary Art” at MOCA Taipei, Taiwan(2004), etc. And her fabulous collection of secondhand dolls, “Salvation Army Series,” are also exhibited in many famous international exhibitions such like “Man&God Russian Dolls 2009: Gwangju Design Biennale (GDB) Exhibition” in Metropolitan City of Gwangju, Korean (2009), “On Temporary Asian Artworks Exhibition,” Bejing, China (2007), “Exit Festival” in Créteil, Maison des Arts, “Via Festival” in Maubeuge, France (2007), “Sea Art Festival” of Busan Biennale, Korea (2006), “Fiction@Love” at MOCA Shanghai (2005), etc. Other creations of sculpture and installation art include “Taipei Cow Parade” (2009), “Love Me/2008- Toy Design & Exhibition”(2008), “Public Art Installation: Graduation 2010”(2001, which also won “Public Art Award: The Best Public Participation” in 2007)

Books published are “Why Not Just Be Yourself”(2008), “Please, Don’t All Be the Same”(2006), etc.

代表作品:實踐大學 Shih Chien University

實踐大學設計學院於2007年首度獲美國商業週刊BusinessWeek評選為全球前60所最佳設計學院，並於2009年10月再度由工業產品設計研究所榮獲美國商業週刊BusinessWeek評選為「全世界前30所最佳創新整合設計與商業思維研究所」(The World's Best Design Thinking Programs)

實踐大學設計學院時尚與媒體設計研究所是全國唯一以「時尚服裝設計」與「數位媒體設計」兩項並行為主軸發展方向的研究所，打破文、理、工學門類別的界限，並突破設計創作形式的藩籬，展現以平面視覺、社會心理、產品行銷、科技、人文等跨領域知識整合所迸發的力量。
有鑒於國際間近年來設計教育界重視跨領域教學及跨媒材創作之發展共通趨勢，本所積極整合人文思維與設計創作之時尚與媒體領域專題課程，並延聘學、業界專業師資任教，期使本所學生更具世界觀、國際觀，同時拓展設計視野，培養設計人的終極包容與關懷，與對地球一切生命體更友善的設計思維。

Shih Chien University’s Design College was one of the first design colleges in Taiwan to establish a postgraduate institute dedicated to fashion and communications design.

Against the backdrop of a national expansion in cultural and creative industries, Shih Chien University’s Design College hopes to provide a multi-disciplinary learning environment.

Through theoretical and empirical training, as well as creative and experimental practices, Design College aims to widen the students’ horizons and advance their personal development in the true understanding of culture and humanitarianism.

Students are encouraged to push the boundaries of design by experimenting and integrating skills and principles from all aspects of design.

個人作品:

救世軍系列Salvation Army Series
「喂！幹麻不做你自己」 “Why Not Just Be Yourself”
紐約流浪漢系列
自畫像系列self-portraits
誠品跨界玩設計 公仔創作 ”Love Me 2” “Love Me/2008- Toy Design & Exhibition”

娛樂空間 Clubbing with Atmosphere - 林馬克 Mark Lintott

台灣的夜生活與其他國家有著明顯的差異，特別是像夜店、汽車旅館或KTV這樣的娛樂空間，它們跟時尚文化幾乎已經畫上等號。華麗炫目的空間設計、獨特的音樂節奏，加上意想不到的燈光驚喜，不但與國際潮流零時差，同時也呈現出在地文化混血、更勝一籌的態勢。在頂尖設計師的巧妙戲法中，娛樂空間不再汙名化，反而成為台灣大眾生活中最具時尚代表的生活場所。

There are notable differences between nightlife in Taiwan and other countries, especially in entertainment space as night clubs, motels or KTVs. The glamour interior design, unique music rhythm and unexpected dramatic lighting even represent fashion culture in Taiwan which is international as well as intertwined with local hybrid culture. As these entertainment spaces become the designers’ artistic works, they turn to be the most fashionable living locales for the public.

林馬克 Mark Lintott

Principal Designer /林馬克設計工作室 Mark Lintott Design

英籍設計師林馬克先生為MLD設計公司創辦人兼主設計師。

林馬克先生以大膽而富有創造力的設計風格聞名，先後在亞洲各地締造出成功且大受歡迎的商業空間案例，例如：小西華飯店—台北；HOTEL G—北京：於台北著名的娛樂空間個案則有：PLUSH、MINT，及鴉片館，餐廳設計更有滬江宴、Diamond Tony’s Grill（台北101）等成功的經驗。

除了商業空間類型的案例外，MLD的作品實績更包含了許多造價高昂的私人住宅以及依業主量身打造的特色住宅。此外，亦有許多與台灣當地建設公司、代銷公司合作的住宅銷售案例。

林馬克先生魚1981年於倫敦開始了他的設計事業，先後於Powell-Tuck Connor 及Orefelt設計公司任職，隨後於台灣成立—林馬克設計工作室，作品涵蓋各類型；設計遍及台灣各地，近年更將觸角延伸至亞洲各地。

他的作品遍及世界各地，廣泛地被各國媒體報導並發表於New York Times、VOGUE、ELLE、Interiors、Mondo、Abitare及Wallpaper等著名雜誌。

林馬克先生經常受邀於台灣各大學相關系所開課指導，更經常於台灣及亞洲各地受邀演講。

林馬克設計工作室位於台北市區，設計工作團隊具有活力且經驗豐富，從設計工作的發想階段開始，能確實執行、解決設計問題直至作品完成。

British architect/designer Mark Lintott is the founder and principal designer for Mark Lintott Design (MLD)

Mr. Mark Lintott is renowned for the daring and imaginative interior design of many successful entertainment and commercial venues in Asia, such as t he Sherwood Hotel in Taipei, Hotel G in Beijing, c lubs like Plush, Mint, Opium Den in Taipei as well as restaurants such as Hu Jiang Yen in Taipei, Diamond Tony’s Grill in Taipei 101 and many more. In tandem with this work is a large portfolio of exclusive and unique residences for both private clients and established property development and real estate firms in Taiwan.

He began his career in 1981 in London for the practice of Powell-Tuck Connor and Orefelt. Ten years later, he established Mark Lintott Design in Taiwan, working for a wide range of clients in Taiwan and throughout Asia.

His highly acclaimed international projects have been extensively published in books and journals including the New York Times, VOGUE, ELLE, Interiors, Mondo, Abitare, and Wallpaper.

Mr. Lintott has also held visiting lecturer positions at universities in Taiwan and a frequent guest speaker in Taiwan and around Asia.

MLD is located in downtown Taipei with a core group of talented designers and supporting staff experienced in all aspects of design from conception to production and administration.


代表作品 Representative Work:WEGO Hotel Taipei Taiwan

薇閣精品旅館位於台北市郊兼備娛樂、旅館及美食餐廳性質的新興發展區。在台灣，這類源自於日本的休憩型旅館相當熱門，對於此類兼備娛樂性的旅館而言，房況的維持、客房服務及保全等特殊需求顯得格外重要。

各個房間提供不同用途及風格等需求，兼具如SPA水療、船屋及玻璃屋等房型或者閃耀奪目的浪漫風格。

林馬克設計工作室剔除汽車旅館一貫給予人的刻版印象，領導進入主流市場，並藉此為業者開拓更為寬廣的客源。

透過連結各樓層的汽車斜坡道為旅館主要入口，位於一樓大廳也因此更能保有顧客隱私，並經由電梯通往各房間。薇閣精品旅館總房數約150間，每房坪數大小為十坪至一百二十坪不等。

WEGO Hotel is located in one of the newly develped areas of suburbs of Taipei. The area is zoned for entertainment, hotel and restaurant usages.

The boutique hotel is a drive-in short-stay motel which is very popular in Taiwan with its origins from Japan. This type of motels is considered as “entertainment” hotels and requires a highly specific approach to maintenance, housekeeping and security.

Each room caters for different purposed and tastes from a “spa” type to a “boat house” to a “glasshouse”. Glamour and bling-bling are important factors as well as “romantic” element.

MLD regarded this as an opportunity to relinquish old stereotype of such motels and bring in wider base of customers.

The main entrance is via a car ramp which accesses to all floors. Other guests enter via the main lobby on the first floor which is discrete and private as well. They access the rooms via a room sized elevator from the first floor.

The boutique hotel contains approx 150 rooms ranging from 30m2 to 400m2.


個人作品:
ALu House Taina
C3
Hotel G
Hu Jian Yen Restaurant
Nike Exhibition

角色公仔 engaging with figures - 張嘉倫 Mark Chang

透過潮流色彩的渲染，公仔的流行重新定義了玩具的價值，並扭轉了消費者對公仔產品的認知態度。台灣設計師藉由公仔做為創意傳播的新媒介，不但把藝術家不同領域的創意和才華同時展現給消費者；彙同台灣的文化延伸，也建構出與眾不同的傳播網絡。一隻隻經由角色設定過的公仔，是設計師表現創意的方式，同時也是一種對雕刻藝術的徹底顛覆。

Influenced by street fashion, the popularity of designer toys not only re-defends the value of toys, but also converts consumers’ perspective toward designer toys. Taiwan designers regard designer toy as a creative mass medium to present artists’ creativity and talents from different disciplinary as well as to build up a particular communication network. Each designer toy is an approach for designers to show their creativity, as well as a way for viewers to subvert traditional concept toward sculpture art.

張嘉倫 Mark Chang
Director / Phalanx Studio

Phalanx Creative「基礎創意」，由Mark Chang(張嘉倫)於2004年成立的設計工作室，一個企圖以潮流文化為概念基礎的設計團隊，以角色藝術出發，並涉足多元的商業設計作品及藝術玩具等創作。

Mark畢業於國立交通大學建築研究所後，轉往多媒體設計領域發展，於2002年開始發展概念性角色產品的獨立創作，包含了平面設計，立體造型，包裝設計，網路等等。

持續地觀注原創理念與城市文化的議題，Phalanx Creative 結合全球各地設計師與藝術家的才華，策劃或參與各式展覽活動，並藉此提出具實驗性及前瞻性的創意提案，給予不同領域客戶，並創造具獨特性的異業結合的案例。

2008 年開始 Phalanx Creative 重新以 Phalanx Studio 的名義發表原創角色，平面插畫等作品，並參與潮流藝術設計、產品設計與行銷等專案。

Phalanx Creative, officially established in 2004, is a design team focusing on POP culture founded and driven by Mark Chang. Their works start from figure art to various business design works and designer toys.

Graduated from Institute of Architecture, National Chiao Tung University, Taiwan, Mark Chang devoted himself to multimedia design. In 2002, he started to develop his indie creation label on concept figure, as well as graphic design, 3d modeling, package design and website design.

Consistently caring for the issue of original concepts and city culture, Phalanx Creative combines the talent of global designer and artists and curates and attends diverse exhibitions. Moreover, Phalanx Creative creates various crossover projects to provide experimental and prospective proposals. In 2008, Phalanx Creative republished original figure, illustration, street style fashion design, product design and marketing under the name of Phalanx Studio.

代表作品: Mr. Power

Mr Power. 一個嶄新的設計師平臺玩具，捨棄了以往常見中性的動物造型，採用充滿力量的線條作為造型表現的基礎，Phalanx 希望把人類追求美感與卓越的期望化身在這個玩具平臺之上，借著設計與創意延展出每個人心目中的英雄，同時把這些有趣的想法，利用www.mymrpower.com的網路平臺分享給彼此。

Mr. Power 的另一個特點是直接採用8英吋的高度推出，而不採用盒抽的方式，希望將平臺玩具的樂趣推回創作與收藏的原點，以DIY的運用為前提而設定的最佳尺寸。

Mr. Power系列的包裝與視覺設計，採用了80年代英雄玩具全盛時期的諸多設定改良而來，吊卡的包裝設計更讓玩家有機會從頭至尾創造一個屬於自己的figure玩具，引領玩家回到過去那對玩具充滿想像與盼望的年代。

Mr. Power is a brand-new platform for designer toys. Being different from usual animal modeling, Mr. Power uses powerful contour as design foundation to represent an image of hero that everybody anticipates and imagines. Moreover, Phalanx design studio is looking forward to sharing these brilliant ideas and creative inspirations on the site: www.mymrpower.com and the online shop.
Another feature of Mr. Power is that designers trace back tp the starting point of the pleasure of creation and collection by launching 8 inch height designer toys instead of the ordinary capsule ones.
The package and visual design of Mr. Power series add retrospective elements which reform from the heyday of super hero toys in the 1980’s. The collectors are able to create a unique figure toys which takes them back to childhood.

個人作品:
扁若秋Bianocchio
Meterro
Moody
Sonabuki
iron devil

時裝時尚 dressing with attitudes - 竇騰璜張李玉菁 STEPHANEDOU CHANGLEEYUGIN

台灣時尚產業的結構特殊，讓時裝設計師必須擁有更多的獨立精神與國際環境做衝撞。但即便如此，他們仍憑藉著自身的天分與美感、在國際伸展台上展現不凡的有型身影。而他們取材各種時尚元素與流行觀察、轉化而成的時裝與精品，也成為品味生活中更彌足珍貴的時尚觀點。

Under the unique structure of fashion industry in Taiwan, fashion designers have to possess bold individual spirit to take on international challenges. Even though, they’ve truly presented outstanding works on the runway from pure capability and sense. The delicate garments and fine work they created have then become a precious point of view to relish mundane life.

竇騰璜張李玉菁 STEPHANEDOU CHANGLEEYUGIN
創意總監 Creative Director/STEPHANE DOU/CHANGLEE YUGIN

台灣著名設計雙人組 竇騰璜 張李玉菁,憑著獨特的時尚美學與對於流行服飾的敏感天份, 在學期間即獲得中華民國時裝設計新人獎首獎的肯定，並多次受邀參加海外的服裝展覽與比賽，獲得國際間的好評與肯定, 秉持著創新與顛覆的精神,於1995年共同創立了同名品牌STEPHANE DOU/CHANGLEE YUGIN，風格簡潔並充滿色彩張力, 營造出一個令人無法忽視的時裝新視界, 低調細緻的設計擄獲了時尚人仕的青睞, 在時尚界有著舉足輕重的地位！

Taiwan's famous design duo STEPHANE DOU and CHANGLEE YUGIN, are known for their edgy and unique design. At age of 20, both of them won “The Best Young Fashion Designer Award,” afterward they’ve received the accolade from the leading media and been invited to overseas exhibitions and competition.

Stephane Dou International Co., Ltd was established in 1995 and STEPHANE DOU and CHANGLEE YUGIN debut collection was officlally launch in 1997. The low-key, creative and wearable style are favorite among press, stylists, and celebritiesto hold a leading position in the fashion industry.


代表作品: 碎裂 Debris

“雙設計,雙風格” 的獨特組合，在不受拘束的設計概念與形式下，使作品產生相乘的多樣面貌。
藉由顏色、材質、空間或是自身的旅行及生活體驗，體現於他們創作的過程，並賦予其另一層次的意義。
Due to intermingled influences and unrestrained style of their designs, together the designer duo produces a unique and mix-and-match style.
With inspirations from color, texture, interior space, or their traveling and living experiences to be embodied in their creation one could perceive an in-depth level of idealism from their brilliant collection.


個人作品:
「碎裂 Debris」
「交錯疊放 Interlace」
「張力 Tensility」
「分解/重構
「Decomposition / Reconstruction」
「穿插點綴 Interspersion」